This was all so charming…
There was a bible written
Translated, transposed, transmigrated
Lifting up the soul with a victim of the terrors
Martin Luther pounding his treatises
On the cathedral door
Advocating for clearance in the dogmatic structure
Of the embryonic capitalistic world
Was it the beginning of socialism
Slowly translating into fascism?
There was no beginning or end to it
He thought, as he painted sunflowers
Within the caustic eternal glowering embrace
Of Gaugin
Constantly marveling over the sunflowers
The depth of their color
The catechism of their never ending length
From the advent of the wilderness
But Van Gogh was merely waiting
Merely biding his time
In chloroform nightmares
Festered over with the observance
Of prostitution portraits
When can we march, when can we not march
When can we merely just have a glass of
Chardant wine
Or vaporous absinthe
Or do we always have to find our way
Into the bedbug infested bedroom
To fuck mindlessly just to relieve the pent up
What? Pent up what?
He never knew. He only noted the history
Of certain artists, unable to take a chance of
Marriage in this material world
And instead defaulting towards
Aboriginal miscarriage of lustful aggression
Not far removed from the primitive man
Advantaging himself over the weakened woman
Van Gogh would paint in patterns
With Gaugin, in Arles
On the cusp of winter
On the edge of uprising socialism
That would soon convert into fascism
Van Gogh did not know this
Trapped in the remnant faucet dribble
Of Martin Luther’s hammer pounding nails
Van Gogh still believed there was
Bespoke religiosity within
Tethered to each individual
To match up with the lingering reverence of faith
There was a principle to it, for it
He believed
Where there was no deistic creation
There was still a Jesus Christ
There was still a garden of gethsemane
That he would try to paint
Which he never could
Before it would always draw out
His insanctimonious psyche
And get him rambling on
Into the deterioration of the bi-polar mind.
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